1
Performances that bind: a preliminary reading of dramaturgic element in Ngugi wa Thiong'O' s I will marry when I want, Derek Walcott's Dream on Monkey Mountain, August Wilson's The piano lesson and Aimé Césaire's And the dogs were silent
Performances that bind: a preliminary reading of dramaturgic element in Ngugi wa Thiong'O' s I will marry when I want, Derek Walcott's Dream on Monkey Mountain, August Wilson's The piano lesson and Aimé Césaire's And the dogs were silent
Creator:
Kuwabong, Dannabang
Publisher:
Fundashon di Idioma (FPI) ( Willemstad, Curaçao )
University of the Netherlands Antilles (UNA)
Type:
Book
Format:
Page 113-129.
Source Institution:
University of Curaçao
Holding Location:
University of Curaçao
Language:
English
“...says in the book, there is no performance without a goal, thus, all drama in the African world is socially committed. Amiri Baraka expresses this much more forcefully when he advocates for a: Revolutionary Theatre [that] must EXPOSE! . It should stagger through...”
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Re-centering the 'Islands in between': re-thinking the languages, literatures and cultures of the Eastern Caribbean and the African diaspora
Re-centering the 'Islands in between': re-thinking the languages, literatures and cultures of the Eastern Caribbean and the African diaspora
Creator:
Faraclas, Nicholas
Severing, Ronald
Weijer, Christa
Echteld, Liesbeth
Publisher:
Fundashon di Idioma (FPI) ( Willemstad, Curaçao )
University of the Netherlands Antilles (UNA)
Publication Date:
2009
Type:
Book
Format:
198 p. : ill., fig., tab. ; 18 cm.
Edition:
2009
Source Institution:
University of Curaçao
Holding Location:
University of Curaçao
Language:
English
“...says in the book, there is no performance without a goal, thus, all drama in the African world is socially committed. Amiri Baraka expresses this much more forcefully when he advocates for a: Revolutionary Theatre [that] must EXPOSE! . It should stagger through...”