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Performances that bind: a preliminary reading of dramaturgic element in Ngugi wa Thiong'O' s I will marry when I want, Derek Walcott's Dream on Monkey Mountain, August Wilson's The piano lesson and Aimé Césaire's And the dogs were silent |
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Creator: | | Kuwabong, Dannabang |
Publisher: | |
Fundashon di Idioma (FPI) ( Willemstad, Curaçao ) University of the Netherlands Antilles (UNA)
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Type: | | Book |
Format: | | Page 113-129. |
Source Institution: | | University of Curaçao |
Holding Location: | | University of Curaçao |
Language: | | English |
“...says in the book, there is no performance without a goal, thus, all drama in the African world is socially committed. Amiri Baraka expresses this much more forcefully when he advocates for a: Revolutionary Theatre [that] must EXPOSE! . It should stagger through...” |
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Performances that bind: a preliminary reading of dramaturgic element in Ngugi wa Thiong'O' s I will marry when I want, Derek Walcott's Dream on Monkey Mountain, August Wilson's The piano lesson and Aimé Césaire's And the dogs were silent |
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Re-centering the 'Islands in between': re-thinking the languages, literatures and cultures of the Eastern Caribbean and the African diaspora |
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Creator: | |
Faraclas, Nicholas Severing, Ronald Weijer, Christa Echteld, Liesbeth
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Publisher: | |
Fundashon di Idioma (FPI) ( Willemstad, Curaçao ) University of the Netherlands Antilles (UNA)
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Publication Date: | | 2009 |
Type: | | Book |
Format: | | 198 p. : ill., fig., tab. ; 18 cm. |
Edition: | | 2009 |
Source Institution: | | University of Curaçao |
Holding Location: | | University of Curaçao |
Language: | | English |
“...says in the book, there is no performance without a goal, thus, all drama in the African world is socially committed. Amiri Baraka expresses this much more forcefully when he advocates for a: Revolutionary Theatre [that] must EXPOSE! . It should stagger through...” |
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Re-centering the 'Islands in between': re-thinking the languages, literatures and cultures of the Eastern Caribbean and the African diaspora |
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