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160826n^^^^^^^^xx^^^^^^o^^^^^|||^u^eng^d |
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|a Assessing the links between identity and soca music in the Trinidad and Tobago music industry |h [electronic resource] / |c edited by Nicholas Faraclas, Ronald Severing, Crista Weijer, Elisabeth Echteld, Marsha Hinds-Layne, Elena Lawton de Torruella. |
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|a [Willemstad], Curaçao : |b Fundashon di Idioma (FPI) ; |a [S.l.] : |b University of the Netherlands Antilles (UNA). |
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|a In: In a sea of Heteroglossia : pluri-lingualism, pluri-culturalism, and pluri-identification in the Caribbean. Proceedings of the ECICC-Conference, Dominica 2009 - Volume 2. |
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|a [cc by-nc-nd] This item is licensed with the Creative Commons Attribution Non-Commercial No Derivative License. This license allows others to download this work and share them with others as long as they mention the author and link back to the author, but they can’t change them in any way or use them commercially. |
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|a Electronic reproduction. |c University of Curaçao, |d 2016. |f (UoC Digital Library) |n Mode of access: World Wide Web. |n System requirements: Internet connectivity; Web browser software. |
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|a University of Curaçao. |
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|a Soca |z Trinidad and Tobago. |
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|a Music |z Trinidad and Tobago. |
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|u http://uoc.sobeklibrary.com/AA00001194/00023 |y Click here for full text |
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|a https:/dcdp.uoc.cw/content/AA/00/00/11/94/00023/CAR 21 265-272 SYLVESTER 2010 10 09thm.jpg |
